til it tilts Tour

til it tilts
Toürchen 2026
[Solo – winds objects feedbacks]

Looking forward to some special events/performances as the first ones of this newest year nr. 2026. Hope to see some of you here or there. Best wishes to everyone for everything, until it all tilts.

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21.1. Berlin
Experimentik
w/ Frank & Aljosha – analog samples, electronics, modified resonator & cello as instrument, as object, as body
20:00

28.1. Wismar
Galerie Wismar  
Vernissage of „Was Schönes“ by artist Anne Mundo
19:30

29.1. Lauenburg 
Künstler:innenhaus Stadtgalerie Lauenburg  
as part of „Resonanzen“
w/ Anaïs Meier
curated by Heiko Wommelsdorf + Marita Landgraf 
19:00

30.1. Köln
tba. (soon)
thx Elisa Kuehnl

31.1. Mechelen (Belgium)
Grambacht
w/ W Raveneer
20:00

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Berlin-based sound artist and performer Peter Strickmann works with an array of custom-built wind and percussion instruments, objects, and feedback manipulations. For his performances, he carefully and secretly prepares the concert space in advance with quasi-magic tricks, playful surprises, and a bucketful of absent sounds—setting the stage for a music that exists somewhere between miniature object theater, musical improvisation, and collective listening exercise, always marked by a simplicity of means and a deep sense of community.

Peter Strickmann performed at series and festivals like Seanaps (D), audiograft (UK), Delta Wave (BE), The Listening Biennial (intl.), Musikfestival Bern (CH), settantaventidue Noiseless (IT), Blurred Edges (D), Progine Vilnius (LTU), Ready Making (D), Swmuziczka (POL) and published his solo and group-sounds on labels like Ana Ott, 901 Editions, Rayon, meudiademorte, Stenze Quo, econore, Discreet Archive and SPAM.
He studied Audiovisual Art with Christina Kubisch at HBK Saarbrücken until 2013 and has been running the ever-growing Sachnarcharchiv (Snoring Archive) since 2009. (etc.)